![]() And not only does this camera offer more cross-type points, but it also delivers excellent coverage over the imaging area, reducing the need for focus recomposing. It features the brand new 65-point all cross-type AF system, four more points than the 5D Mark III, and premier 1DX flagship. And even above 6,400, images display little color noise and offer a natural grain structure. Users can expect usable images up to ISO 6,400, making it equal to the 5D Mark III. And the new sensor shows a one-stop improvement in performance over both the 70D and the predecessor. It features a native ISO range from ISO 100 to 16,000, which is further expandable to an H2 setting, the equivalent of 51,200. And, overall, low light performance is excellent. While the camera doesn’t provide a dramatic increase in resolving power, it does fare better in low light. Like most cameras in this class, video recordings are limited to 29 minutes and 59 seconds. #PC SYNC CANON MARK 5D II 1080P#The camera also provides a clean, uncompressed 1080p signal via HDMI for use with external recorders. And the footage is entirely free from artifacts, aliasing, or moiré. #PC SYNC CANON MARK 5D II MP4#Like most Canon cameras, it shoots the footage to either the MP4 or MOV formats using the MPEG-4 codec and IPB compression. This addition makes it the second Canon camera to provide this frame rate and a substantial improvement over the predecessor’s 30 fps maximum. #PC SYNC CANON MARK 5D II FULL#Unlike the predecessor, it now shoots 1080p Full HD video up to 60 fps, allowing users to capture slow-motion footage in-camera. And it can now provide 31 RAW images or 130 JPEGs before buffering. The camera’s buffer depth has also improved thanks to the adding processing power. And this type of power places the camera squarely against Canon’s 1DX and Nikon’s D4 professional sports flagships. It now provides continuous bursts up to 10 fps, a 25% improvement over the predecessor 8 fps maximum. The camera does, however, offer notable improvements in continuous shooting speeds. And its 14-bit RAW images are also accurately exposed and deliver that pleasing Canon aesthetic. Nevertheless, the camera still offers reasonable image quality, despite its age. And the 2MP bump in resolution isn’t a significant enough difference to make it easily noticeable during real-world use. Otherwise, the image quality is mostly the same across most lighting conditions. They’ve also redesigned the camera’s shutter mechanism, which has made it more stable and quieter than the predecessor. With this release, Canon’s also equipped the camera with dual DIGIC 6 image processors, significantly increasing its processing power. It features a brand new 20.2MP APS-C sized CMOS sensor with an Optical Low Pass Filter, a nice change from the predecessors 18MP sensor. What are some of the goods, bads, and uglies of the Canon EOS 7D Mark II? Pros: Image Quality
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